March 25, 2013

“Lord let me die, but not die     out”: James Dickey reading one of his most famous poems: “For the Last Wolverine”

From the new James Dickey channel on YouTube

March 25, 2013

Two of the great poets of the late 20th century, James Dickey and Robert Lowell, talk about dreams and nightmares.

February 2, 2013
James Dickey would have been 90 years old today. In these photographs he was 19.
Some years after my father died in 1997, I was at a loss how to remember him. What was the image I wanted — that I needed — to hold onto? The memories of his face and his physique had turned, through age and grief, to blurs and shadows. But as I was looking at a family album kept by my grandmother I came across these snapshots from 1942 at Sea Island, Georgia, and I realized these were precisely what I’d craved. Of course I never knew this boy, but I knew that all of my father’s life, this was the image that he held in his head of himself. You see it again and again in his poetry, from “The Bee” to “Looking for the Buckhead Boys,” and in his dream of what he called “the happy swimming pool,” which is how he thought of heaven. And because these Apollonian images were so dear to my father, I decided to embrace them, too. They are now, not my memories, but my idea of him, and in my heart I need no other.
== Christopher Dickey

James Dickey would have been 90 years old today. In these photographs he was 19.

Some years after my father died in 1997, I was at a loss how to remember him. What was the image I wanted — that I needed — to hold onto? The memories of his face and his physique had turned, through age and grief, to blurs and shadows. But as I was looking at a family album kept by my grandmother I came across these snapshots from 1942 at Sea Island, Georgia, and I realized these were precisely what I’d craved. Of course I never knew this boy, but I knew that all of my father’s life, this was the image that he held in his head of himself. You see it again and again in his poetry, from “The Bee” to “Looking for the Buckhead Boys,” and in his dream of what he called “the happy swimming pool,” which is how he thought of heaven. And because these Apollonian images were so dear to my father, I decided to embrace them, too. They are now, not my memories, but my idea of him, and in my heart I need no other.

== Christopher Dickey

January 17, 2013

apoetreflects:

In a sound I cannot remember.
It whispers like straw in my ear,
And shakes like a stone under water.
My bones stand on tiptoe inside it.
Which part of the sound did I utter?
Is it song, or is half of it whistling?
What spirit has swallowed my tongue?
Or is it a sound I remember?

—James Dickey, section I of “The Call” in “The Owl King” from The Whole Motion: Collected Poems 1945-1992 (University Press of New England, 1992)

December 14, 2012

christopherdickey:

“The Heaven of Animals” read by Princess Grace

Who knew that Grace Kelly recorded this reading of one of James Dickey’s best known poems in 1977?

Thanks to Ward Briggs for discovering it,

October 16, 2012

We don’t know why someone found this video of James Dickey reading “The Moon Ground” and posted it just now, but as many of us shared the moment of awe this week when a man in a space suit jumped from a balloon 24 miles above the earth, this has a particular resonance.

July 19, 2012
The view from the chapel next to the lighthouse in Cap d’Antibes, France, as it looks today. Notice the old well on the right and compare with the same view in 1954: http://3.bp.blogspot.com/_BZD30a25FmE/RY95CgCDDKI/AAAAAAAAARs/D4cUx-Lr6Zw/s1600-h/1954-Antibes-binoculars.jpg

The view from the chapel next to the lighthouse in Cap d’Antibes, France, as it looks today. Notice the old well on the right and compare with the same view in 1954: http://3.bp.blogspot.com/_BZD30a25FmE/RY95CgCDDKI/AAAAAAAAARs/D4cUx-Lr6Zw/s1600-h/1954-Antibes-binoculars.jpg

July 17, 2012
James and Maxine Dickey at Willow Plunge Pool in Franklin, Tennessee, in the summer of 1949.
This is a marvelous photograph from the collection of Elizabeth and Calhoun Winton, who were great friends of Jim and Maxine as young marrieds and throughout their lives. We’d also like to thank Gordon Van Ness, who first published this in The One Voice of James Dickey: His Letters and Life, 1942-1969; Peter W. Anderson, who pulled this together with other memorable photographs of the young James Dickey on Breathnaigh, and Ron Aiken who used it as well in his Southern Partisan essay remembering James Dickey 15 years after the author’s death. 
There is little question that this photograph shows Jim and Maxine as they would want to be remembered.
So be it.

James and Maxine Dickey at Willow Plunge Pool in Franklin, Tennessee, in the summer of 1949.

This is a marvelous photograph from the collection of Elizabeth and Calhoun Winton, who were great friends of Jim and Maxine as young marrieds and throughout their lives. We’d also like to thank Gordon Van Ness, who first published this in The One Voice of James Dickey: His Letters and Life, 1942-1969; Peter W. Anderson, who pulled this together with other memorable photographs of the young James Dickey on Breathnaigh, and Ron Aiken who used it as well in his Southern Partisan essay remembering James Dickey 15 years after the author’s death. 

There is little question that this photograph shows Jim and Maxine as they would want to be remembered.

So be it.

July 17, 2012
A friend of ours saw this picture yesterday and tweeted “I want that!” We asked if she meant the photograph. (Peter does sell signed prints.) She said it was a great picture, but what she meant was “the joy.”
christopherdickey:

Another of Peter’s series on his favorite brasserie (and the women in it) in Paris, France.
peterturnley:

La Brasserie de l’Ile Saint-Louis, Paris, 1994. Part of the photo-essay Moments of the Human Condition. See www.peterturnley.com. © Peter Turnley / Corbis 1994. All Rights Reserved.

A friend of ours saw this picture yesterday and tweeted “I want that!” We asked if she meant the photograph. (Peter does sell signed prints.) She said it was a great picture, but what she meant was “the joy.”

christopherdickey:

Another of Peter’s series on his favorite brasserie (and the women in it) in Paris, France.

peterturnley:

La Brasserie de l’Ile Saint-Louis, Paris, 1994. Part of the photo-essay Moments of the Human Condition. See www.peterturnley.com. © Peter Turnley / Corbis 1994. All Rights Reserved.

(via newsweek-paris-france)

May 10, 2012
apoetreflects:


“Our unquenchable thirst for all that lies beyond, and that life reveals, is the liveliest proof of our immortality. It is both by poetry and through poetry, by music and through music, that the soul dimly descries the splendours beyond the tomb; and when an exquisite poem brings tears to our eyes, those tears are not a proof of overabundant joy: they bear witness rather to an impatient melancholy, a clamant demand by our nerves, our nature, exiled in imperfection, which would fain enter into immediate possession, while still on this earth, of a revealed paradise.”
—Charles Baudelaire, from Selected Writings on Art and Literature (Penguin Classics, 1993)

apoetreflects:

“Our unquenchable thirst for all that lies beyond, and that life reveals, is the liveliest proof of our immortality. It is both by poetry and through poetry, by music and through music, that the soul dimly descries the splendours beyond the tomb; and when an exquisite poem brings tears to our eyes, those tears are not a proof of overabundant joy: they bear witness rather to an impatient melancholy, a clamant demand by our nerves, our nature, exiled in imperfection, which would fain enter into immediate possession, while still on this earth, of a revealed paradise.”

—Charles Baudelaire, from Selected Writings on Art and Literature (Penguin Classics, 1993)